一直(🕕)作(🍅)為米(mǐ )路斯.科曼(màn )劇本鐵三(🏽)角(jiǎo )(另一位(wèi )是帕培錫,也是(🕰)本片編(biān )劇之一(yī ))(🎹)成員的(🐉)艾雲.巴薩(sà ),當然(🥩)也走(zǒu )低度戲(xì )(🌫)劇路線。同是(🌗)音(🏇)樂家的彼德與卡洛(luò )老友重(chóng )逢,生活狀(🕖)況大不同,你有(🥄)伴侶我(wǒ )有家庭(tíng ),然(📞)而(ér )都有說不出(🍮)的(✖)不(bú )明朗,唯有以酒(jiǔ )與音樂代替口水。全片(📎)推展(zhǎn )不問(wèn )目的,只在剎(chà )那間的意圖,行行企企比起科曼(🙂)更義(🔝)無反(fǎn )(🐑)顧(gù ),卻有(🤸)生活淡如流水的詩意和繆思,叫(jiào )觀眾(👃)聯(lián )想到(🚻)二十年後的伊力.盧馬(mǎ )。巴薩鍾愛音樂的(⚾)程度(dù )(🌮)不下於文(🈁)字和電影,古典(diǎn )音(👊)樂與民(mín )間(🐾)音(🦇)樂於全片迴(huí )(🐛)轉迴盪(dàng ),難怪(guài )成了奇斯洛夫斯基十大(😝)心愛電(🙎)影之一。 (🤔) (😙)康城(⏲)影(yǐng )展青(qīng )年(💏)評審團獎(jiǎng ),美國(🥅)全(quán )國影評人協會特別獎 這部(bù )(🔫)1966年的珍品,是捷克(kè )新浪潮短(duǎn )暫生(🚻)命(mìng )中最佳作品之一。成(chéng )名(❓)音樂(lè )(✖)家(jiā )到小鎮探(🚤)訪舊同(⛴)學,舊(💁)同學(xué )是個窮(qióng )音(yīn )(🈳)樂教師,有(yǒu )(🌲)時在喪(🚪)禮(lǐ )上(🐱)吹奏(zòu )樂(👼)曲。平凡(🏡)的素材在巴素手(shǒu )裡,變出風趣復罕見(jiàn )的旋(xuán )律,一部(🎁)憂(🎆)鬱(⛎)的喜劇(jù ),或(🕌)灰色喜劇。 - Dave Kehr, Chicago Reader (🔰) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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